In the late 70’s and early 80’s non-official artist-run movement, The Stars Group initiated the Post-Cultural Revolution. Mao Lizi was the founding member of that organization which significantly influenced and shaped the Chinese contemporary art scene. The main characteristic of Lizi’s work is simplicity, contained in the idea that less is more. His paintings are elegant and gentle with rhythmical composition. He is deeply inspired by the traditional Chinese calligraphy and painting incorporated in the abstract structure. Lizi’s paintings manipulate with the linear flow challenging the viewer to its poetic imagery. He captures the tones of pigment’s dark and light, illustrating the beauty, freedom and sensuality of expression.
Mao Lizi – Ambiguous Flower Series No 1, 2015
Hyper-realistic images represent details of insignificant objects or places visually and metaphorically enlarged through the artistic intervention. In the exhibition from 1976. Hesitating – Ten Years of Chaos in New Life Lizi successfully captured the destruction of one era, representing, for example, washed out wall slogans and graffiti or wall with a plant emerging from a crack. Reconsidering his own artistic path and following the desire to always move the limits of expression, Lizi spent a few years searching for his personal infinity. So, in 2005. using the new realistic technique, he made a visual impact with series of abstract paintings.
Mao Lizi’s work understands the uncertainty of the abstract painting which is the essence of unpredictability where the artist tries to find new possibilities of expression. These paintings represent the confirmation of found peace and harmony with his inner feeling. Focusing on the detail, Lizi has always insisted on the simplicity of his paintings. His philosophical thoughts on relations between abstraction and natural, poetic and metaphorical presentations indicate original personality and distinctive style.